Posts Tagged ‘tuntablism’

Experimental Turntablism on Tour. James Kelly + Robert Curgenven

February 24, 2017

James Kelly Vinyl Minimalism.png

I’m organising a three day tour with the composer and sound artist Robert Curgenven. Robert will be presenting his audio visual work Speculative Pataphysics created using three turntables, custom-made oscillators, 1930s acetates and custom-cut dubplates. I will be presenting an AV piece called Vinyl Minimalism in collaboration with The Lab Visuals. The concerts will be the final performances before the submission of my PhD which is focused on the creative application of a disc cutting lathe. I have been collaborating with the cellist Audrey Riley  and have cut records with Audrey’s improvisations using a variety of disc cutting techniques. The records will be remixed in performance using turntablist techniques.

Robert and I will be presenting two concerts in Leicester and Milton Keynes, with a workshop at Goldsmiths University, London. The concert at the Sue Townsend Theatre, Leicester is being generously supported by the music program at Leicester College and the Music Technology and Innovation Research Centre at De Montfort University, Leicester. The second concert is with the the guitarist Norberto Lobo at the MK Gallery Milton Keynes and we finish the tour with a workshop discussing how we use vinyl as part of our compositional process and in performance.

Tour Schedule

Wednesday 15th March
Sue Townsend Theatre, Leicester
7.30pm Free Entry. Reserve tickets

Thursday 16th March
MK Gallery, Milton Keynes with Norberto Lobo
7.30pm £7 on door. Further info

Friday 17th March
Workshop at the University of Goldsmiths, London (more…)

Advertisements

Turntable Music Symposium 2016, University of Northampton

October 11, 2016

lisa-busby-james-kelly

In January I organised a symposium on Turntable Music with invited guests Karin Weissenbrunner (City University, London) and Lisa Busby (Goldsmiths University, London). The event was held in the Avenue Gallery, University of Northampton as part of my exhibition Vinyl Record Cutting as a Compositional Tool.

Karin presented her PhD research focused on musical analysis of experimental turntablist performance and Lisa discussed her approaches to performance using playback media. I also presented my experiments with record cutting and discussed the presentation of the work in the exhibition. In the evening we had a concert where both myself and Lisa performed individually and we also did a short improvisation together. Lisa performed tracks from her new album Fingers in The Gloss and my performance was an improvisation using records which I have cut as part of my research.  (more…)

From the Archive: Experimental Turntablism

July 12, 2016

vinyl record stickers experimental tuntablism

I’m in the final stretch of a practice led PhD developing approaches to turntablist composition and performance. I’ve been reflecting on how my approach has developed over the years from experiments with junk shop records to becoming a vinyl mastering engineer and cutting my own records for use in composition and performance. I recently unearthed a live set which was broadcast on Demon FM in 2006 and I can hear quite clearly how my turntablist aesthetic has developed over time.

When this performance was recorded, I was experimenting with turntablist improvisation using two turntables with a Vestax PCM 05 Pro DJ mixer that had an inbuilt delay unit. (more…)